photo by Schatzberg
I have not written the way I want to for a long time now, so that will change with this post. This will be unedited and unrestrained, so if my commas and thoughts fall short, so be it. I have spent too much time worrying about your approval. No one but a handful of people approve of my position and rhetoric, so knowing that as I do, there is no reason for me to be concerned about what I say here. This is the Bobby Jameson blog. It belongs to me and was started as a place to post facts, as I see them, know them, and have lived them. Your opinion is yours, mine is written here in these pages.
After four years of doing this, the one overriding fact is that nothing in my life has improved as a result of what I have done. This is a reality I have to contend with daily, you don't. When I came to the internet I had nothing. No friends, no lovers, no job, no health, and no money. With the exception of a very few individuals, I still have no friends, no lovers, no job, no health, and no money.
One would think that after all this time something would have improved, if not only slightly, but that is not the case. My main gripe is that way too many bullshit historians of music and record collectors, turned record sellers, thrive on inaccuracy and a deeply embedded sense of self-justification for what they do. Much of what is written is flat out wrong, and people who collect and/or sell records fail completely to understand that they are trading in the dreams and misery of those who created, what are now no more than collectable artifacts, used for amusement and/or profit.
There is no real understanding, by so-called music historians and collectors, that there are and were, real people involved in the creation of what is now merely written about, traded, and sold. The emotional detachment of many of these self-serving assholes is staggering, to say the least. They remind me of people who collect and discuss body-parts of dead soldiers, while their insipid eye for detail and fact is breathtaking.
The glorification of works, coupled with the shallow views and opinions by some, about those who created the works, has and does piss me off in a way that mere words fail to make clear. To elaborate on the failings of the human beings who gave their hearts and souls to create these works, so assholes can write about it and or collect and sell it, is pretty much repulsive to me. I for one, am a living breathing example of this shoddy practice, and stand alone as a vocal critic of this crap, which is justified only by those who practice it.
I have found, and reject entirely, the lame indulgence of those who talk about someone as a friend, but do nothing that a friend would do to be a friend; I find that this practice runs rampant throughout my entire experience on every part of what exists on the internet. The two bit soothsayers and slap you on the back phonies, personify the personality of music and friendship on the web, while in reality what goes on here is nothing more than a business and social whorehouse where some benefit on the backs of those who are harmed, cheated, and demoralized. As well, the zit-faced, low-ball punks, who pound out their criticisms on a keyboard in the safety of their bedrooms, is proof enough, that the truly useless have found a paradise to inhabit.
There is nothing good about the music business, and there is nothing good about the ever expanding profiteering of people's work who are not allowed to share in those profits and benefits. The smaller reissue labels, for the most part, are no more than the beginnings of another round of "fucking over" the artists, writers, and musicians who created the products being sold.
The glaring arrogance and compartmentalizing it takes, to do what is done, under the guise of legitimate business, by those who do it, is akin to human trafficking for profit. To heap, yet more misery on the backs of those already harmed, simply in the name of making available "good music" to those who want what is sold by these pricks, is now as common a practice as slavery was, prior to the American Civil War.
Whether you like me or agree with me at this point, is no longer of any importance whatsoever. I am taking back my right to have an opinion, which I somehow managed to lose track of in the last year or so...or as in the words of Bob Dylan's Like A Rolling Stone "When you got nothin, you got nothin to lose."
A written history of Bobby Jameson and his search through the past. Working my way back through the jungle of drug addiction and booze. My family life as a kid was the breeding ground for addicts. No self worth, no help, and one chance to get out alive. Music was the horse I rode out on...and the music business was the horse I rode into hell. Pronounced dead twice from drug over doses, I lived to tell how the pursuit of fame is as deadly as any narcotic I have ever used.
Sunday, July 10, 2011
Thursday, July 7, 2011
AS LONG AS MY GOODBYE...
BY MYSELF
I CAME TO YOU
TO YOU
I CAME ALONE
FROM DISTANT
TIMES AND
DISTANT LANDS
I CAME HERE
ON MY OWN....
NOHING CARRIED
ON MY BACK
POSSESSIONS
HAVE I NONE
ALONE I CAME
ALONE I'LL LEAVE
WHEN MY
LONG WALK
IS DONE
I THE WOLF
A FOREIGNER
ALWAYS ON
MY OWN
WANDER IN
A LITTLE WHILE
BUT ALWAYS
LEAVE ALONE
CRIMSON MOONS
AND CRYSTAL STARS
AGAINST BLACK
VELVET SKY
MY HELLO
WILL NEVER LAST
AS LONG
AS MY GOODBYE...
Bobby Jameson July 7, 2011
Thursday, June 23, 2011
The Luxury Of Not Knowing...originally posted in 2011
Richie Unterberger
In 1985, I'd become deeply aware that I was the only person who knew where I'd started in 1963 with Let's Surf, and as well, who I'd morphed into by the middle 80's.
I realized that all the records I'd made were viewed as creations of various individual artists other than me. For instance, Songs Of Protest And Anti Protest by Chris Lucey was never attributed to, Bobby Jameson, until decades after it was made. It had barely been remembered as a one-shot deal from an unknown artist named Chris Lucey. Similarly, All I Want Is My Baby, recorded in London in 1964, was assigned to an English artist with the same name as me, but not to me personally. And again, I'm So Lonely, also from 1964, was credited to an early 60's artist.
Each of my attempts in the music business had been seen as a separate career by various different persons. None of my previous work was ever understood to have been the work of the latest and continuous Bobby Jameson. The different labels, countries, and styles, helped create the confusion, so it was not seen as the sustained career of a single artist.
Rum Pum, Vietnam, Mondo Hollywood, Reconsider Baby, Gotta Find My Roogalator, and All Alone, were again, not attributed to me, and my ever growing library of songs and recordings, but regarded as mediocre works by separate artists with a similar name. Nobody ever said, "Hey, look at all the work this guy has done," because nobody knew that I had.
By the time I wrote and recorded Color Him In, in 1966, I was again referred to as a new artist, known simply as Jameson. None of my previous work was known to be mine, so I was treated as if I had no track record at all, even though I had started years earlier, in 1963, and had worked on two continents with a lot of different people.
With the album, Working, recorded in 1968, I used the name Bobby Jameson, instead of Jameson, but again found myself with little connection to my past work. There was a slight awareness that I was the Jameson who had made Color Him In, but for the most part I was just starting from the beginning again.
I was so splintered by this reality that I found it difficult, if not impossible, to convey to anyone who I was, or what I had actually done. In my mind, I had the complete picture of all of my work, but in the eyes of others, I was just some new flash in the pan that they should dismiss.
Rather than view myself in terms of my latest failed recording, at any given time, I saw myself as someone who had continued to write and record music any way, and every way, I could since 1963. I was burdened with knowing the context and continuity of my own work and career, while others knew nothing about it at all.
In 1969, with the dismal reception of my album Working, I too began to regard myself as a failure. This god-awful vision of myself was to eventually epitomize my own thinking, as well as that of others, for decades.
So in 1985, I left Hollywood, and L.A., in a broken heap, surmising as I went, that it was not only the last straw that broke me, but all the last straws, over time, that caused me to retreat into obscurity.
For me, there was always a sense, vague as it might have been, that the only way to convey what had really happened, would be for someone to write a book with all of the facts firmly in hand. It had appeared far too easy, from where I stood, to relegate a person, any person, to the ash heap of history using either flawed facts, or no facts at all.
If nothing else has been accomplished by me writing my own story, at least I got my name, age, and place of birth correct, something the so-called music historians have mostly failed in doing to this day. Even though the facts, and most of the basic points are here on this blog, a lot of what has been written by those, such as, Richie Unterburger, remain inaccurate. Some might say it reflects upon my own unimportance, but I say, "If it was important enough to write about in the first place, and get it wrong, then it is important enough to be corrected by those who wrote it, and to set the record straight." The failure to do so reflects a lack of seriousness, and editorial integrity, by the authors themselves, and those whom they write for...
In 1985, I'd become deeply aware that I was the only person who knew where I'd started in 1963 with Let's Surf, and as well, who I'd morphed into by the middle 80's.
I realized that all the records I'd made were viewed as creations of various individual artists other than me. For instance, Songs Of Protest And Anti Protest by Chris Lucey was never attributed to, Bobby Jameson, until decades after it was made. It had barely been remembered as a one-shot deal from an unknown artist named Chris Lucey. Similarly, All I Want Is My Baby, recorded in London in 1964, was assigned to an English artist with the same name as me, but not to me personally. And again, I'm So Lonely, also from 1964, was credited to an early 60's artist.
Each of my attempts in the music business had been seen as a separate career by various different persons. None of my previous work was ever understood to have been the work of the latest and continuous Bobby Jameson. The different labels, countries, and styles, helped create the confusion, so it was not seen as the sustained career of a single artist.
Rum Pum, Vietnam, Mondo Hollywood, Reconsider Baby, Gotta Find My Roogalator, and All Alone, were again, not attributed to me, and my ever growing library of songs and recordings, but regarded as mediocre works by separate artists with a similar name. Nobody ever said, "Hey, look at all the work this guy has done," because nobody knew that I had.
By the time I wrote and recorded Color Him In, in 1966, I was again referred to as a new artist, known simply as Jameson. None of my previous work was known to be mine, so I was treated as if I had no track record at all, even though I had started years earlier, in 1963, and had worked on two continents with a lot of different people.
With the album, Working, recorded in 1968, I used the name Bobby Jameson, instead of Jameson, but again found myself with little connection to my past work. There was a slight awareness that I was the Jameson who had made Color Him In, but for the most part I was just starting from the beginning again.
I was so splintered by this reality that I found it difficult, if not impossible, to convey to anyone who I was, or what I had actually done. In my mind, I had the complete picture of all of my work, but in the eyes of others, I was just some new flash in the pan that they should dismiss.
Rather than view myself in terms of my latest failed recording, at any given time, I saw myself as someone who had continued to write and record music any way, and every way, I could since 1963. I was burdened with knowing the context and continuity of my own work and career, while others knew nothing about it at all.
In 1969, with the dismal reception of my album Working, I too began to regard myself as a failure. This god-awful vision of myself was to eventually epitomize my own thinking, as well as that of others, for decades.
So in 1985, I left Hollywood, and L.A., in a broken heap, surmising as I went, that it was not only the last straw that broke me, but all the last straws, over time, that caused me to retreat into obscurity.
For me, there was always a sense, vague as it might have been, that the only way to convey what had really happened, would be for someone to write a book with all of the facts firmly in hand. It had appeared far too easy, from where I stood, to relegate a person, any person, to the ash heap of history using either flawed facts, or no facts at all.
If nothing else has been accomplished by me writing my own story, at least I got my name, age, and place of birth correct, something the so-called music historians have mostly failed in doing to this day. Even though the facts, and most of the basic points are here on this blog, a lot of what has been written by those, such as, Richie Unterburger, remain inaccurate. Some might say it reflects upon my own unimportance, but I say, "If it was important enough to write about in the first place, and get it wrong, then it is important enough to be corrected by those who wrote it, and to set the record straight." The failure to do so reflects a lack of seriousness, and editorial integrity, by the authors themselves, and those whom they write for...
Monday, June 20, 2011
Historical List Of Released Records By Bobby Jameson...1963 to 1977
This is the most extensive list yet compiled of records released on labels by Bobby Jameson from 1963 to 1978. Bobby James was the name used on Jameson's first record in 1963 Let's Surf/Take This Lollipop. This list provides a clear history of most, but not all, of Bobby Jameson's released records on vinyl.
Bobby Jameson's first record under the name Bobby James. Jolum 1963 with Elliot Engber playing surf guitar
Take This Lollipop Jolum 1963...first record as Bobby James aka Bobby Jameson
I'm So Lonely Talamo 1964 American release
I'm So lonely London American 1964 UK....
I Wanna Love You Talamo 1964 American release
I Wanna Love You London American 1964 UK...
Okey Fanoky Baby Talamo 1964
Meadow Green Talamo 1964
All I Want Is My Baby Decca. Recorded with Mick Jagger and Andrew Oldham in London 1964 UK
Each And Every Day Decca 1964 UK
All I Want Is My Baby London 1965 American release
Each And Every Day London 1965 American release
Rolling Stones Works "All I Want Is My Baby/Each And Every Day" by Bobby Jameson Deram, Polydor date?
Walking Through The Sleepy City "All I Want Is My Baby/Each And Every Day" by Bobby Jameson. Rolling Stones Works. Various labels London, Japanese Parlaphone
Rum Pum Mum Num Brit 1965 UK
I Wanna Know Brit 1965 UK
The original Songs Of Protest And Anti Protest by Chris lucey aka Bobby Jameson on Surrey Records 1965
Too Many Mornings Joy Records 1966. Another version of Songs Of Protest by Chris Lucey retitled and using Bobby Jameson's name. Released in Europe and Canada
Songs Of Protest in Vee-Jay Records box set
Girl From The East written by Bobby Jameson from Chris Lucey Songs Of Protest by The Leaves "Hey Joe" single and album 1966
Hey Joe album The Leaves Mira 1966 "Girl From The East" written by Bobby Jameson
The Leaves Are Happening Capitol records 1967 Sundazed Records "Girl From The East" written by Bobby Jameson
Reconsider Baby/Low Down Funky Blues Penthouse 1966 with Frank Zappa
B-side of Reconsider Baby and Roogalator 1966 Penthouse
Gotta Find My Roogalator Penthouse 1966 with Frank Zappa
Low Down Funky Blues Penthouse 1966
All Alone/Your Sweet Lovin Current Records 1966
Mondo Hollywood "Vietnam" movie and soundtrack 1967. Also released as a single with Metropolitan Man on Mira Records 1966
Verve label side 1 Color Him In 1967
Verve label side 2 Color Him In 1967
Places Times And The People 1967 single release from Color Him In
The New Age 1967 single from Color him In
Jamie 1967 Verve single from Color Him In
Right By My Side 1967 Verve single from Color Him In
Color Him In by Bobby Jameson 1967 Verve
Last released album by Bobby Jamesoon in 1969 GRT Records
single release Palo Alto GRT Records 1969
single release Singin The Blues GRT 1969
single release Stay With Me Robert Parker Jameson aka Bobby Jameson 1977-78 RCA Records
single release Long Hard Road RCA Records 1977-78
Saturn Rings Michele O'Malley ABC Records 1969 CD Fallout 2006
"Know Yourself" written by Bobby Jameson
"Would You Like to Go" written by Bobby Jameson
"White Linen" written by Bobby Jameson and Michele O'Malley
Rastus "Steamin" GRT early 70's 2 songs co-written by Bobby Jameson
This album by Tony Sheridan, original lead singer of The Beatles, was recorded after the death of Elvis Presley in 1977 with the Elvis Presley Band. It contains 3 songs written by Bobby Jameson. Growin' Pains Of Time, I've Seen It All Before, and Good Ol Music (country rock n roll)
Take This Lollipop Jolum 1963...first record as Bobby James aka Bobby Jameson
I'm So Lonely Talamo 1964 American release
I'm So lonely London American 1964 UK....
I Wanna Love You Talamo 1964 American release
I Wanna Love You London American 1964 UK...
Okey Fanoky Baby Talamo 1964
Meadow Green Talamo 1964
All I Want Is My Baby Decca. Recorded with Mick Jagger and Andrew Oldham in London 1964 UK
Each And Every Day Decca 1964 UK
All I Want Is My Baby London 1965 American release
Each And Every Day London 1965 American release
Rolling Stones Works "All I Want Is My Baby/Each And Every Day" by Bobby Jameson Deram, Polydor date?
Walking Through The Sleepy City "All I Want Is My Baby/Each And Every Day" by Bobby Jameson. Rolling Stones Works. Various labels London, Japanese Parlaphone
Rum Pum Mum Num Brit 1965 UK
I Wanna Know Brit 1965 UK
The original Songs Of Protest And Anti Protest by Chris lucey aka Bobby Jameson on Surrey Records 1965
Too Many Mornings Joy Records 1966. Another version of Songs Of Protest by Chris Lucey retitled and using Bobby Jameson's name. Released in Europe and Canada
Songs Of Protest in Vee-Jay Records box set
Girl From The East written by Bobby Jameson from Chris Lucey Songs Of Protest by The Leaves "Hey Joe" single and album 1966
Hey Joe album The Leaves Mira 1966 "Girl From The East" written by Bobby Jameson
The Leaves Are Happening Capitol records 1967 Sundazed Records "Girl From The East" written by Bobby Jameson
Reconsider Baby/Low Down Funky Blues Penthouse 1966 with Frank Zappa
B-side of Reconsider Baby and Roogalator 1966 Penthouse
Gotta Find My Roogalator Penthouse 1966 with Frank Zappa
Low Down Funky Blues Penthouse 1966
All Alone/Your Sweet Lovin Current Records 1966
Mondo Hollywood "Vietnam" movie and soundtrack 1967. Also released as a single with Metropolitan Man on Mira Records 1966
Verve label side 1 Color Him In 1967
Verve label side 2 Color Him In 1967
Places Times And The People 1967 single release from Color Him In
The New Age 1967 single from Color him In
Jamie 1967 Verve single from Color Him In
Right By My Side 1967 Verve single from Color Him In
Color Him In by Bobby Jameson 1967 Verve
Last released album by Bobby Jamesoon in 1969 GRT Records
single release Palo Alto GRT Records 1969
single release Singin The Blues GRT 1969
single release Stay With Me Robert Parker Jameson aka Bobby Jameson 1977-78 RCA Records
single release Long Hard Road RCA Records 1977-78
Saturn Rings Michele O'Malley ABC Records 1969 CD Fallout 2006
"Know Yourself" written by Bobby Jameson
"Would You Like to Go" written by Bobby Jameson
"White Linen" written by Bobby Jameson and Michele O'Malley
Rastus "Steamin" GRT early 70's 2 songs co-written by Bobby Jameson
This album by Tony Sheridan, original lead singer of The Beatles, was recorded after the death of Elvis Presley in 1977 with the Elvis Presley Band. It contains 3 songs written by Bobby Jameson. Growin' Pains Of Time, I've Seen It All Before, and Good Ol Music (country rock n roll)
Subscribe to:
Posts (Atom)



















































